En bref
Mai 27th 2026
from 3:00 pm to 4:00 pm
Hochschule für Musik Freiburg
Mendelssohn-Bartholdy-Platz 1, 79102 Freiburg
Kammermusiksaal
Free admission, subject to availability
Interpretation: Yanir RITTER
Artistic direction: Christine RALL
Organisation: Dagmar DANKO ; Alexandre FREUND-LEHMANN
Supports: Collège GLAREAN ; l'ITI CREAA ; UR 3401 ACCRA ; Université de Strasbourg ; Hochschule für Musik de Freiburg ; HEAR Strasbourg ; Université Franco-Allemande
Thesis title in Musical Interpretation and Composition: "A Forbidden Voice? Music for Saxophone under the Third Reich" (thesis defence scheduled for autumn 2026)
As part of his PhD thesis, Yanir Ritter, a PhD student at the GLAREAN College, is giving a thesis completion concert dedicated to original works for saxophone written between 1932 and 1940, a decisive moment in which the instrument shifted from being a symbol of artistic freedom and modernity during the Weimar Republic to becoming increasingly marginalized and stigmatized under the cultural policies of the Third Reich.
Featuring music by Edmund von Borck, Hans Brehme, Erwin Schulhoff, Werner Wolf Glaser, and Viktor Ullmann, the programme brings together a rarely performed Central European saxophone repertoire shaped by modernist experimentation, exile, and political pressure. Moving between chamber music and orchestral thinking, these works reveal how composers continued to explore the expressive possibilities of the saxophone at a time when its place in classical musical life was becoming uncertain.
This recital forms part of an artistic doctoral research project at Freiburg University of Music and the University of Strasbourg, investigating the role of the saxophone in Germany during the 1930s and 1940s as both a musical voice and a cultural symbol of resistance within the ideological context of the period.


